Characters |
|
1 – Pharmacy |
2 – Incoming Tide |
Olive
Kitteridge -high school math teacher Henry –
pharmacist Christopher –
son, podiatrist Denise
Thibedes – clerk in pharmacy Henry –
husband, killed in hunting accident Jerry
McCarthy – delivery person, married Denise |
Patty Howe –
waitress, miscarriages Kevin Coulson
– contemplating suicide, studied psychiatry |
3 – The Piano Player |
4 – A Little Burst |
Angela
O’Meara – piano player in bar Malcolm Moody
– affair Walter Dalton Simon –
lawyer, used to play piano |
“little
bursts” – small kindnesses Dr. Suzanne –
marries Christopher (Olive steals her bra and puts marker line on sweater) |
5 – Starving |
6 – A Different Road |
Harmon – owns
marina Bonnie – wife Children –
Kevin, Derrick and 2 more Daisy Foster
– affair with Harmon Copper –
deceased husband |
Christopher
and Suzanne – move to CA Hospital – 2
men rob hospital for drugs and hold Olive, Henry and two others in restroom |
7 – Winter Concert |
8 – Tulips |
Bob Houlton Jane – school
nurse Alan and
Donna Granger – “The Lydias” |
Henry – stroke,
in nursing home Roger Larkin Louise –
guidance counselor Doyle – son,
stabbed someone |
9 – Basket of Trips |
10 – Ship in a Bottle |
Ed Bonney –
grocer, funeral Marlene –
widow Children – Ed
(coast guard), Lee Ann (nursing school), Cheryl (high school) Kerry Monroe
– cousin, lived above garage, brief affair with Ed |
Anita and Jim
Harwood Julie – 21,
engaged, fiancé (Bruce) called off wedding at the ceremony, she went to
Boston to see him Winnie – age
11 |
11 – Security |
12 – Criminal |
Christopher –
in New York Ann – second
wife, pregnant Theodore and
Annabelle – Ann’s children from two different relationships Sean O’Casey
– upstairs tenant Jim – father,
reciprocal attraction with Olive Olive went to
visit at Christopher’s request Olive held by
airport security for refusing to take off shoes |
Rebecca Brown Father –
minister Mother -ran
away, actress, Scientologist David -
boyfriend |
13 – River |
|
Jack Kennison
– Harvard grad Wife –
deceased Shared meals
out with Olive |
|
NOTE: Page numbers are from the 2008 Random House Trade
Paperback edition.
1.
Was this one story with many chapters or a
collection of short stories with recurring characters? What were you expecting and how did you
understand the book once you started?
2.
Besides the Kitteridge’s, were there any other
characters that stood out for you, that you remember?
3.
What did you think about Olive? Would you want to know her? Do you think you would be friends?
4.
Olive and her son, Christopher, never seemed to
be able to communicate well. Why was
Christopher “never able to say, ‘Mom, I miss you.’” (page 211)? Was it more his fault, Olive’s fault, or just
their personalities?
5.
At the end of “Criminal,” Rebecca overheard two
policemen telling a man from the bar who they arrested, “You have the right to
remain silent” (page 250). She then took
a barbecue starter, old postcards from her mother, and two cigarette lighters
and left the house. The last sentence
was, “If would be worth the arrest if they put it like that.” (page 250). What did you think Rebecca was going to do?
6.
One statement that stood out for me was the idea
of “big bursts” (big moments in life like marriage or children) and “little
bursts” (small kindnesses from people you meet during your day) on pages 68 and
69. Olive thought the big bursts “held
dangerous, unseen currents” (page 68) which was why the little bursts
throughout the day were so important. Do
you think this is true?
7.
What examples of “big bursts” and “little
bursts” did you find throughout the novel?
8.
Six of the chapters were published as
stand-alone short stories in magazines such as Seventeen and The New Yorker. (See copyright page.) How do you think they would have been
received in that format?
9.
In an interview at the end of my copy of the
book, the author was asked what she hoped readers would get out of reading this
book. Her reply was, “I would hope that
my readers feel a sense of awe at the quality of human endurance” and “I would
also hope that readers receive a larger…or different understanding, of what it
means to be human” (page 281). Is this
what you took away from the book? If
not, did you gain any other insight?
10. This
book won the Pulitzer Prize for fiction in 2009. The criteria are that the book has to be by
a distinguished American author and should preferably deal with American
life. Did this book do that for you?